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Painting Professionals: Women Artists and the Development of Modern American Art, 1870-1930, by Kirsten Swinth
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Thousands of women pursued artistic careers in the United States during the late nineteenth century. According to census figures, the number of women among the ranks of professional artists rose from 10 percent to nearly 50 percent between 1870 and 1890. Examining the effects of this change, Kirsten Swinth explores how women's growing presence in the American art world transformed both its institutions and its ideology.
Swinth traces the careers of women painters in New York, Philadelphia, and Boston, opening and closing her book with discussion of the two most famous women artists of the period--Mary Cassatt and Georgia O'Keeffe. Perhaps surprisingly, Swinth shows that in the 1870s and 1880s men and women easily crossed the boundaries separating conventionally masculine and feminine artistic territories to compete with each other as well as to join forces to professionalize art training, manage a fluid and unpredictable art market, and shape the language of art criticism. By the 1890s, however, women artists faced a backlash. Ultimately, Swinth argues, these gender contests spilled beyond the world of art to shape twentieth-century understandings of high culture and the formation of modernism in profound ways.
- Sales Rank: #4939066 in Books
- Published on: 2001-10-15
- Original language: English
- Number of items: 1
- Dimensions: 1.01" h x 6.30" w x 9.56" l,
- Binding: Hardcover
- 307 pages
Review
"The manoeuvres, successes and failures of American women artists are engagingly narrated. Swinth relies on lively documentary evidence." -- Times Literary Supplement
Review
"Demonstrating the artistic resiliency and professional commitment of two generations of women artists, this comprehensive volume provides an important feminist intervention into the history of American art.--Journal of American History
This ambitious, provocative work is a leap forward in establishing the vital connection between women artists and high culture in the United States. Future discussions in the field will find this book impossible to ignore.--American Nineteenth Century History
Clearly written. . . . A significant cultural history that identifies the parameters for further study by cultural and art historians.--Choice
The manoeuvres, successes and failures of American women artists are engagingly narrated. Swinth relies on lively documentary evidence supplied by diaries, letters and contemporary criticism.--Times Literary Supplement
Meticulously researched and brilliantly argued, Painting Professionals pictures the unsure paths American women traveled in the late nineteenth century as they sought out training, careers, and a market in the arts. Kirsten Swinth helps explain all those women we see in photographs of late Victorian art classes--where they came from, where they went, and why so many disappeared. A magnificent achievement!--Wanda M. Corn, Stanford University
Swinth gives the reader the big picture, weaving together diaries, letters, and contemporary criticism to create a fascinating story of women's considerable professional achievements in the American art world. She describes their triumphs at the end of the nineteenth century and then traces how, in spite of early-twentieth-century attempts to reclassify art in masculine terms, women used modernism's call for art as self-expression to define themselves anew. Swinth's book is a welcome addition to our field.--Erica E. Hirshler, John Moors Cabot Curator of Paintings, Art of the Americas, Museum of Fine Arts, Boston
A convincing model of the gendering of turn-of-the-century modernism that restores women artists to a deservedly prominent position.--American Studies
About the Author
Kirsten Swinth is associate professor of history and director of the American Studies Program at Fordham University.
Most helpful customer reviews
0 of 1 people found the following review helpful.
Well-researched, illuminating and very useful!
By Lorna
This book is probably the most useful I've bought this year. It offers exceptional context for the relationships between art, gender and modernity.
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