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The Bone Gatherers: The Lost Worlds of Early Christian Women, by Nicola Denzey
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The bone gatherers found in the annals and legends of the early Roman Catholic Church were women who collected the bodies of martyred saints to give them a proper burial. They have come down to us as deeply resonant symbols of grief: from the women who anointed Jesus's crucified body in the gospels to the Pietà, we are accustomed to thinking of women as natural mourners, caring for the body in all its fragility and expressing our deepest sorrow.
But to think of women bone gatherers merely as mourners of the dead is to limit their capacity to stand for something more significant. In fact, Denzey argues that the bone gatherers are the mythic counterparts of historical women of substance and means-women who, like their pagan sisters, devoted their lives and financial resources to the things that mattered most to them: their families, their marriages, and their religion. We find their sometimes splendid burial chambers in the catacombs of Rome, but until Denzey began her research for The Bone Gatherers, the monuments left to memorialize these women and their contributions to the Church went largely unexamined.
The Bone Gatherers introduces us to once-powerful women who had, until recently, been lost to history—from the sorrowing mothers and ghastly brides of pagan Rome to the child martyrs and women sponsors who shaped early Christianity. It was often only in death that ancient women became visible—through the buildings, burial sites, and art constructed in their memory—and Denzey uses this archaeological evidence, along with ancient texts, to resurrect the lives of several fourth-century women.
Surprisingly, she finds that representations of aristocratic Roman Christian women show a shift in the value and significance of womanhood over the fourth century: once esteemed as powerful leaders or patrons, women came to be revered (in an increasingly male-dominated church) only as virgins or martyrs—figureheads for sexual purity. These depictions belie a power struggle between the sexes within early Christianity, waged via the Church's creation and manipulation of collective memory and subtly shifting perceptions of women and femaleness in the process of Christianization.
The Bone Gatherers is at once a primer on how to "read" ancient art and the story of a struggle that has had long-lasting implications for the role of women in the Church.
- Sales Rank: #419184 in Books
- Brand: Brand: Beacon Press
- Published on: 2008-07-01
- Released on: 2008-07-01
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .95" w x 5.95" l, 1.05 pounds
- Binding: Paperback
- 312 pages
- Used Book in Good Condition
From Publishers Weekly
In late antiquity, pious Christian women buried the remains of saints and martyrs, sometimes on land the women themselves owned. The legends of these bone gatherers launch Denzey's investigation into the experiences of third- and fourth-century Roman women based on the complex visual and archeological evidence they left behind in the city's catacombs. Denzey, a lecturer at Harvard University, uses a technique akin to feminist midrash to decipher what these women's lives were really like as the feminine ideal shifted from pagan Rome's devoted wives to Catholic Christianity's virgin martyrs. Sometimes delving into the macabre, the author probes into the meanings revealed by underground burial spaces and wall paintings that reflect women's presence. The study concludes with an analysis of Pope Damasus's impact in the fourth century: a stunning masculinization of Rome's sacred space the privatization of women's roles, and the end of the female tradition of bone gathering. Although the book's black-and-white photographs are sparse and hard to decipher, Denzey's prose paints vivid pictures of the sites she visits. Some readers may find her imaginative interpretations of the visual evidence too speculative, but her densely layered inquiry is insightful and haunting. (Aug.)
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Review
Nicola Denzey's lively, readable book opens up a fascinating, long hidden world of early Christian women. This fine work not only lets us into their world, but shows how it was kept hidden so long. —Elaine Pagels, author of Reading Judas: The Gospel of Judas and the Shaping of Christianity and The Gnostic Gospels
"Denzey's prose paints vivid pictures of the sites she visits . . . her densely layered inquiry is insightful and haunting."—Publishers Weekly
"Unique in its restricted time/place focus, the study probes in-depth with a twenty-first-century feminist eye."—Library Journal
"A masterful study written in a lively narrative style, The Bone Gatherers is pitched perfectly to both the interested general reader and to scholars. Denzey's expert placing of the funerary images of early Christian and pagan women into their social and cultural milieus, and her rich, well-researched iconographical reading of ancient imagery helps us to see the changing roles of women—both Christian and pagan—during the early centuries of Christian Rome."—Ann Steinsapir, museum educator, J. Paul Getty Museum, and author of Rural Sanctuaries in Roman Syria: The Creation of a Sacred Landscape
"Nicola Denzey’s impeccable scholarship and intimate and vivid style of writing makes tangible and credible the power of the holy that was mediated by women—women saints and women patrons. The Bone Gatherers allows the reader to transcend both historical and scholarly distance to encounter the forgotten women who also shaped Christianity."—Karen Jo Torjesen, author of When Women Were Priests: Women's Leadership in the Early Church and the Scandal of their Subordination in the Rise of Christianity
"A brilliantly argued book that weaves archeology, art history, and sociology; it's refreshing that, unlike many historians, Denzey is a gifted writer and storyteller . . . Whether or not you're religious, it's a great feminist read."—M. L. Madison, Feminist Review blog
"It should be consulted by all researchers in the religions of late antiquity and would make an excellent book for undergraduate courses on the literature and art of ancient Christianity." —Review of Biblical Literature
About the Author
Nicola Denzey is a lecturer in the study of religion at Harvard University. She earned her M.A. and Ph.D. in Religions of Late Antiquity from Princeton and recently served as a faculty research associate in Harvard Divinity School's Women's Studies in Religion Program.
Most helpful customer reviews
7 of 7 people found the following review helpful.
In Search of the Women of Roman Christianity
By Dr. John Switzer
In this book, Nicola Denzey takes us on a most interesting journey to the lives of Christian women in the late Roman period (first through fourth centuries CE). As she suggests, it appears that the artwork of Christian catacombs might tell us some things about these women that the overt Christian tradition sometimes fails to remember. How are they remembered -- and how are they "mis-remembered"? What influence did they wield in early Roman Christianity that was later taken from them as the faith became more hierarchical and male-dominated rather than prophetic and with much accepted female influence? This is a fascinating read that is well documented, though at times one wonders if the author is citing history or writing a historical novel. Read it carefully and judge for yourself. You'll be left with some terrific questions, many new insights, and a load of possibilities for further research.
14 of 19 people found the following review helpful.
Uneven tones for women clutching bones
By Alvaro Lewis
I very much wanted to love this book because its claims to rescue women and their stories lost in the ruins of early Christian Rome seemed inherently compelling and rewarding. The explorations of the book, however, have been composed as if with forking tongs but with no effort made to return them to same tridentine handle. Are we learning how to read the archaeological evidence in a single Roman catacomb, are we following legends of matrons and maidens hoping to make singular historical sense of matrimony (for example) across three centuries, or are we reading the tales of martyrs against the grain to profit our predispositions? In fact, Nicola Denzey allows us to do all three of these. As a result though, this reader was left with a sense of a fragemented education. What thesis can hope to contain such divergent eras, methods, and aims without strain? The book seems to contain distinct essays on women, archaeology and history over a period of time rather than an argument or narrative of the social and historical experience.
Denzey has read broadly and is remarkably able to sketch vivid scenes of historical and artistic pasts. She also adds some neat comparative details, for example, when she notes a population density in Rome that outstrips that of Calcutta. This book hasn't figured out if it is an academic work or a work of popular history and religion. I think that other readers will encounter this same sense of uncertainty. Many of the Latin passages are plagued with errors (blunders as simple as mistaken gender agreement between adjective and noun). An editor's keen eye could have saved this young scholar more than half a dozen such slips.
In fairness to the author, the subtitle of this book offers a reading of "The Lost Worlds of Early Christian Women". This use of "Worlds" may suggest an intent to demonstrate an irreducibly diverse feminine experience in early Christian Rome. For sure, not all of these women gathered bones.
4 of 7 people found the following review helpful.
Bone Gatherers
By Caytee
This book was easy to read, kept my interest and had great information about burial practices of both Christian and Pagan peoples in the first centuries AD.
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