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The Healing (Bluestreak), by Gayl Jones
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Gayl Jones's special gift is to shape experience and make it seem unshaped. -John Alfred Avant, The New Republic
Gayl Jones's first novel, Corregidora, won her recognition as a writer whose work was gripping, subtle, and sure. It was praised, along with her second novel, Eva's Man, by writers and critics from all over the nation: John Updike, Maya Angelou, John Edgar Wideman, and James Baldwin, to name a few. The publication of The Healing, her first novel in over twenty years, is a literary event.
Harlan Jane Eagleton is a faith healer, traveling by bus to small towns, converting skeptics, restoring minds and bodies. But before that she was a minor rock star's manager, and before that a beautician. She's had a fling with her rock star's ex-husband and an Afro-German horse dealer; along the way she's somehow lost her own husband, a medical anthropologist now traveling with a medicine woman in Africa. Harlan tells her story from the end backwards, drawing us constantly deeper into her world and the mystery at the heart of her tale-the story of her first healing.
The Healing is a lyrical and at times humorous exploration of the struggle to let go of pain, anger, and even love. Slipping seamlessly back through Harlan's memories in a language rich with the textured cadences of the black Southerner, Gayl Jones weaves her story to its dramatic-and unexpected-beginning.
- Sales Rank: #611706 in Books
- Brand: Brand: Beacon Press
- Published on: 1999-01-01
- Released on: 1999-01-01
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .69" w x 5.50" l, .85 pounds
- Binding: Paperback
- 304 pages
- Used Book in Good Condition
Amazon.com Review
Beautician, anthropologist's wife, rock-star manager, racetrack gambler, and now itinerant faith healer: the heroine of Gayl Jones long-awaited new novel has traveled a long and difficult road from her grandmother's Louisville beauty shop to the bus stops and "tank towns" of the rural South. As she spools back through her accumulated memories, Harlan Jane Eagleton weaves a complex stream-of-consciousness tale that at second glance turns out not to be chaotic at all. Jones has an unerring ear for dialogue and the rhythms of everyday speech, and Eagleton makes poetry out of even the detritus of pop culture--although her narrative is also rich in allusions from Chaucer to Gayl Jones herself. From Eagleton's grandmother, who believes she was born as a turtle, to the paranoid German-African businessman who becomes Eagleton's lover, the novel is filled with memorable characters and multilayered relationships. The Healing is the first book in more than 20 years from Jones, the reclusive author of two seminal narratives of violence, slavery, abuse, and black rage, Corregidora and Eva's Man. Like these two novels, The Healing has its fair share of violence and tragedy, but--as the title might suggest--here it's tempered with a surprising portion of humor, forgiveness, even faith.
From Publishers Weekly
Jones's first major American publication since Eva's Man (1976) is prickly, frequently tendentious and occasionally brilliant. From the opening pages we know we're in the presence of a masterly writer whose life experiences have sharpened her edges rather than softened them. The narrator, African American faith-healer Harlan Jane Eagleton, travels from small town to small town working her miracles. But, as we soon learn, being a healer is only her latest incarnation after stints as a beautician in her hometown of Louisville, Ky., as a racetrack gambler and as a business manager for the rock-'n-roller Joan Savage. Harlan is more sure of what she's not (anybody's fool) than what she is, and underneath her "countrified" voice is a shrewd observer of human nature. She is also remarkably well read in theories of art, science, literature and music?and she proves it at every opportunity, in long-winded diatribes too often explained away with a coy "I read about that somewhere." Despite Harlan's tiresomely false naivete (and the tedious political speechifying of the people she meets), readers will care about her and will eagerly follow her journey to heal herself first before she can touch others ("If I wasn't the one doing the healing, I'd be among the tough nuts"). It is through her flawed but gravely human voice that Jones's flinty work is quietly redeemed. (Feb.) FYI: The Healing is the first novel Beacon has published in its 143-year history. The press plans to issue another novel by Jones, as well as a book-length poem of hers, in 1999.
Copyright 1998 Reed Business Information, Inc.
From Booklist
Jones' first novel since Eva's Woman (1975) is the only original novel published by Beacon in its almost 150-year history, and quite a book it is. The experiences of a diverse group of characters are used to explore issues facing black women in contemporary America. Harlan Jane Eagleton, the primary narrator, relates her transition from the daughter and granddaughter of beauticians in Louisville to her job as business manager for Joan Savage, a brilliant and mercurial rock star, and finally, to her experiences as a faith healer. Jones has peopled her novel with strong and original women, including Harlan's grandmother and Joan Savage, whose act of violence propels Harlan into faith healing. Jones has a wonderful ear for dialogue; her characters' sentences are filled with repetitions, abrupt changes of subject, and other quirks of everyday speech. The style of presentation--almost entirely dialogue and jumping forward and backward with a carefully planned but seemingly reckless disregard for any linear narrative--takes some getting used to, but readers who persevere will find it is worth it. Nancy Pearl
Most helpful customer reviews
1 of 1 people found the following review helpful.
Who is the true author?
By Book Junkie
At first glance this book seems like a typical read that might appear in Oprah's bookclub selection. The novel is described on its own back cover as "A moving affirmation of forgiveness and trust...cause for hope, sustenance and even celebration". Yet a deeper read shows that this work in fact "signifies" or parodies this sort of book. After reading the book it soon becomes apparent that it is not Harlan who is telling this story but that it is in fact probably Joan who is the author. The exaggerated black southern vernacular reveals that the book is in fact most likely written by an educated person who is trying to imitate the dialect of an uneducated black woman. Joan, as we know, was a chemistry major in college and is shown to be a well-read and educated woman. Also, although on the surface Harlan is portrayed as a success story (poor little black girl overcomes poverty and obstacles to become a famous and accomplished woma), at the same time Harlan is not exactly a positive or likeable character. She sleeps with her client's exhusband, has an affair with a German horse breeder named Josef who is married, and makes a living in the dubious profession of faith healing. Overall she is shown to be untrustworthy and most likely a charlatan. Although Joan seems a little crazy at times and is a self-proclaimed bitch, she is a better person than Joan. For one thing she is not promiscuous and she has an interest in the struggles of others and helps people who have been exiled (even though this ends badly). The best support for Joan as true author comes on pg. 275 where Harlan and Joan's first meeting takes place: "Hi, I'm Joan Savage. Savage, or it was Eagleton. No, my own name Eagleton. I'm Harlan Eagleton." Or perhaps this is fictional author Amanda Wordlaw's book? On pg. 248-249 Wordlaw's book is described as having "a modified frame and an open-ended resolution" and "the heroine of this book satirizes herself". In Wordlaw's book "the women...are supposedly not pleased with others' ideas of who they are and are constantly redefining themselves their own ideals or possibliities of womanhood." It is no coincidence I think that this describes not only Wordlaw's but also Jones's book. There is no sure answer to the question "Who is the author of this novel?" but is is evident that a closer read reveals that despite the surface appearances it is not Harlan's voice that we hear.
2 of 2 people found the following review helpful.
Delightfully illuminating and shrewd
By A Customer
This novel educates, illuminates, and entertains. It is replete with insights into our social condition. By entering into the mind of the main character, Harlan Jane Eagleton, we learn about an extremely diverse (economically, intellectually, and culturally) group of black people and the choices that she and they have made. As we get to know them, we are challenged to examine our own lives and ideas and the authenticity and integrity with which we live them. One might conclude from this book that DuBois' premise that a "Talented Tenth" would lead the way to freedom and achievement requires further refinement.
This book does not bash black men, and its women are not victims. They are all people who have made choices, and, in understanding theirs, we may better understand our own. The few whites in the book, although minor characters, demonstrate some of the more insidious dynamics of racism. Whereas, Jones' first novel, Corregidora focused more on the long history of sexual and emotional oppression and abuse of black women in America, The Healing highlights the dis-ease in the relationships that blacks in the U.S. have amongst themselves, with whites, and with blacks in other parts world, so that we can heal ourselves and each other.
6 of 6 people found the following review helpful.
All things considered....
By A Customer
...this wasn't such a bad read. Like the reviewer before me, I was anxious to love this book. I had read about Gayl Jones' dramatic recent past with her possessive late husband, and about her re-emergence into the literary world with this work. It did, however, fall short of my expectations. Jones is clearly in possession of a great gift, and many of this book's passages are profound, but only in a topical, static way. The writing is masterful, but the story itself is lacking in the kind of depth that I was hoping for. The tale of Harlan, the supposedly low-profile manager of Joan, the caricature of a feminist rock star (and formerly brilliant chemist) is completely unbelievable. I couldn't figure out why the two continued to stay together, in spite of the bad blood between them which resulted from Harlan's having slept with Joan's former husband (and possibly the most one-dimensional of all the characters in this book). In spite of all this, I finished the book and I still respect the writing, but I am now interested in reading her first books, which are the ones that determined her literary stature in the first place. I'm sure I won't be let down. It's a hit-and-miss world after all.
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